Floor Standing Speakers Horning Euf

Floor Standing Speakers Horning Eufrodite MkIV
By Paris-Kotsi-

Completion!

H most recent edition of the prestigious hi - end Speaker makes a difference with a new cab, which uses strong curved sides and redesigned mechanical rate for eight woofers in each channel. The speaker of the test, in addition, is equipped with top Lowther featuring the Danish manufacturer, so we can assume that this is the best to date version of the middle model of Horning.

The speaker this admittedly stole the limelight in the recent Hi - End Show, however, must not forget that (whatever) is part of a speaker system, whose performance depends on both the "chemistry" of components and the component of the worst! So it is more correct to say that the new speaker of Horning, driven by suitable lychniako amplifier design single - ended, is able to make the most of the now old technology support and how such a sophisticated system wide range with single - ended appears endowed by the representation of the recording-implementation of a project in our living room, not only artistic but now, technically speaking. Overcoming technical difficulties, either talking about a three-way speaker with minimum filter like Horning or an amp s. e x oris feedback constitutes rough road, where we find few winners manufacturers. Often, no, requires a combination of art and technique, the dividing lines are not always clear. Take for example a technocrat designer amplifiers has good music perception of things. He will accept any solution meets the measuring bodies, even if it means 60 dB total feedback. An "artist" designer without robust technical background, on the other hand, will tend to design and colored "fun" products often sacrificing essential in order to achieve a particular acoustic feeling that the designer has in mind. You need seriousness, discipline and deep knowledge of the technical and musical things in order to create a great, timeless design that respects the basic principles and techniques, while it highlights the most artistic value of the recordings. The Eufrodite undoubtedly belongs to the small group hi - end speakers are lasting values ​​for the stage of the high-fidelity, in this most recent version, go a step further in workmanship and music fidelity.

Close
Watching the various incarnations of the middle model of the Danish manufacturer, it is easy to see that the speaker becomes more elegant and finish and perceived build quality improved significantly from generation to generation. Design, the pattern of Tommy Horning is stable in all three models produced and the differences are purely on size and quality of materials. There is a wide range of loudspeaker Lowther covering such implies the determination of the bulk of the spectrum with the company indicating the interval from 200 Hz up to 12 KHz. loudspeaker is to be filled up and down with two more routes to reach speakers with proficiency at the ends of the spectrum, without providing exact figures of the company. An area of about 30 Hz shows realistic for Eufrodite, while the upper end reaches 20 KHz and does not appear to have "supersonic" super ambitions tweeter. Extreme octaves played in quite an original way speakers of Horning. Y PARXA multiple back woofer speaker emitted backward. The ancestor of Eufrodite, the Agathon, used two 12intsa while the current plan has eight 8intsa, matched in pairs with four push - pull function. Each pair has a woofer obvious proasanatolismeno with the magnet to the outside, and a hidden by the magnet inside the cab. Now the cloth covering the series with the woofer is absent and is replaced by a rectangular wooden panels with curved edges and smooth edges. Magnets are now visible and the wood extends approximately to the periphery of the chassis. Headphones, this addition "breaks" and diffuses the back wave of the woofer and contribute significantly to the reported rate of engineering through the 200 Hz slope 6 dB / octave. The bad news is that now you can see the wires connecting the external woofer but there is probably not going to look often.
Passing the treble speaker cone carries a tweeter placed in a large aluminum dispersant and receiving electrical cleavage with a capacitor in series, at 12 KHz. In other words, the extra two roads project primarily implemented headphones and not electrically, except that the capacitor to the tweeter. The very Lowther converted from Horning by removing the second cone and adding dust cup aimed at reducing resonances at higher frequencies. Usually the Dane uses notch filters to reduce some peaks in response to the wide r ange persistent after mechanical interventions. In Eufrodite we tested this month Lowther is an exotic version of the code and PM 65 is what is best in the designer's arsenal. The loudspeaker has a giant magnet and had to make alterations to the interior hallway of the speaker to fit!
This corridor follows a natural logic folding. Starts the path behind the front speakers and the speaker at some point on the route added radiation from the pairs of woofers. The final output of the ramp is at the bottom of the back of the speaker, there are two rectangular openings corresponding to the four chambers, which are independent but near the exit joined inwardly.
The current version does not allow for gripes regarding the finish and aesthetics, but this Eufrodite far from being a product to a lifestyle extensions or dramatic "showcase" if you will. For example, the black dye in the chassis Lowther does not match the "almost black" dye dispersant in the tweeter, which was never the case to look to a more mainstream hi - end speaker. Also on this money (and much lower) one gets combined magnetic grilles protection while here the six holes on the front panel that will hold the tall speaker cloth create a more palimoditiki impression.
Substantial differentiation but Eufrodite anatagonismo next to the fact that it is a very sensitive transducer of approximately 98 dB smooth resistance 8W and yield almost full range, and all this without using funnels to the many fear and without oppressing our living room with the enormity of the cabin. So, is an ideal match for low-power amplifiers in class A and probably sitting comfortably at average European living room of 20 to 30 sq.m.

Performance
The idea of using a loudspeaker for the most spectrum haunt for decades speaker manufacturers, but the nature reacts strongly in their plans. There are many examples of specific converters wide range (electrostatic and magnetostatic membranes, ribbon, AMT, NXT, Manger, most recently BMR etc) you require assistance to low but go well from there on the range. The problem with such designs is that they attempt to combine completely different technology and inverters, based on my experience, I have almost never heard of such a hybrid speaker playing homogeneously as conventional woofers always betray their nature. The next candidate is the traditional loudspeakers broad spectrum, as cone loudspeakers have several chances to match sound with a large or several smaller woofers. These usually require aiding and high in the spectrum, which we are accustomed to seeing in the form of super tweeter. The main problem with the choice of a wide range speaker such as Lowther for such a project is, ultimately, the fact that such speakers do not coexist easily with no crossover as they are designed to be played directly on the output of the amp.
All this is reflected vividly in the evolution of the middle Horning the last three deaketies as the Danish designer attempts to unite more and better three streets speaker, without disturbing the Lowther. The upper end is obvious that there could be complemented by a conventional dome, due to different dispersion and low sensitivity, and this is a place where normally choose one tweeter horn, a very small cone wide range or a piezo tweeter. The designer chose the latter, a tweeter cone if you prefer, which fits with the sound Lowther and has fairly low resonance frequency so that it can "obediently" to cut with a small capacitor in series, which will let it contribute significantly in the upper mids without compression. The lower end of the speaker is one that has so far received the most "visits" the Danish designer. Any significant change here and change the form of the cab and, after passing through the 12intsa to push - pull 8intsa width decreased significantly while defusing moved from, oldest, open the bottom of the cabinet, in its modern form rear exhaust with dual exit maze. The output setting is also changed from the long screw Agathon jumpers at the Eufrodite.'s use of the new cabin with strongly curved sides is in this fourth generation of the most visible change and actually affects the behavior of the speaker both low and deep in the passage between the woofer and the Lowther. The speaker test, of course, apart from all Horning I've heard so far thanks to leading loudspeaker PM 65, which in my experience is the best I've heard in the midrange speaker. He does not know what to say grain, burr and delay, has extremely dense timpro and transparency and "paint" with comfort bodies in the air, without sound projector or hard even under pressure. It features an open, free, organic and full harmonics and has no mechanistic, synthetic aftertaste indefinable darkness or brightness in low level as with many hi - tech loudspeakers filtered with heavy filters. The midrange is that whatever technology reference level and standing comfortably across membranes and other exotic converters. The full tonality that we enjoy from Eufrodite not only due to Lowther, of course. Balanced range without proper bass and treble not mean of course that happens there affects significantly the mids. Here is the speaker of the Danish takes precedence over more hybrids as the Horning has achieved amazing regeneration of harmonics of the deep low, mainly in octave 100-200 Hz, which preserves

Resultater (Engelsk) 1:

Floor standing speakers horning eufrodite mkiv
by paris-kotsi-

completion!

H most recent edition of the prestigious hi - end speaker makes a difference with a new cab, which uses strong curved sides and redesigned mechanical rate for eight woofers in each channel. the speaker of the test, in addition, is equipped with top lowther featuring the danish manufacturer,so we can assume that this is the best to date version of the middle model of horning.

the speaker this admittedly stole the limelight in the recent hi - end show, however, must not forget that (whatever) is part of a speaker system, whose performance depends on both the "chemistry" of components and the component of the worst! so it is more correct to say that the new speaker of horning,either talking about a three-way speaker with minimum filter like horning or an amp s. ex oris feedback constitutes rough road, where we find few winners manufacturers. often, no, requires a combination of art and technique, the dividing lines are not always clear. take for example a technocrat designer amplifiers has good music perception of things.go a step further in workmanship and music fidelity.

close
watching the various incarnations of the middle model of the danish manufacturer, it is easy to see that the speaker becomes more elegant and finish and perceived build quality improved significantly from generation to generation . design,loudspeaker is to be filled up and down with two more routes to reach speakers with proficiency at the ends of the spectrum, without providing exact figures of the company. an area of ​​about 30 hz shows realistic for eufrodite, while the upper end reaches 20 khz and does not appear to have "supersonic" super ambitions tweeter. extreme octaves played in quite an original way speakers of horning.this addition "breaks" and diffuses the back wave of the woofer and contribute significantly to the reported rate of engineering through the 200 hz slope 6 db / octave. the bad news is that now you can see the wires connecting the external woofer but there is probably not going to look often.
the loudspeaker has a giant magnet and had to make alterations to the interior hallway of the speaker to fit!
this corridor follows a natural logic folding. starts the path behind the front speakers and the speaker at some point on the route added radiation from the pairs of woofers. the final output of the ramp is at the bottom of the back of the speaker,there are two rectangular openings corresponding to the four chambers, which are independent but near the exit joined inwardly.
the current version does not allow for gripes regarding the finish and aesthetics, but this eufrodite far from being a product to a lifestyle extensions or dramatic "showcase" if you will. for example,the black dye in the chassis lowther does not match the "almost black" dye dispersant in the tweeter, which was never the case to look to a more mainstream hi - end speaker. also on this money (and much lower) one gets combined magnetic grilles protection while here the six holes on the front panel that will hold the tall speaker cloth create a more palimoditiki impression.
is an ideal match for low-power amplifiers in class a and probably sitting comfortably at average european living room of 20 to 30 sq.m.

performance
the idea of ​​using a loudspeaker for the most spectrum haunt for decades speaker manufacturers, but the nature reacts strongly in their plans. there are many examples of specific converters wide range (electrostatic and magnetostatic membranes,the fact that such speakers do not coexist easily with no crossover as they are designed to be played directly on the output of the amp.
all this is reflected vividly in the evolution of the middle horning the last three deaketies as the danish designer attempts to unite more and better three streets speaker, without disturbing the lowther.

Resultater (Engelsk) 2:

Floor Standing Speakers Horning Eufrodite MkIV
By Paris-Kotsi-Completion!



the most recent edition of the prestigious hi-end Speaker makes a difference with a new cab, which uses strong curved sides and redesigned mechanical rate for eight with woofers in each channel. The speaker of the test, in addition, is equipped with top Lowther featuring the Danish manufacturer, so we can assume that this is the best version to date of the middle model of Horning.

The speaker this admittedly stole the limelight in the recent Hi-End Show, however, must not forget that (whatever) is part of a speaker system, whose performance depends on both the "chemistry" of components and the component of the worst! So it is more correct to say that the new speaker of Horning, driven by suitable lychniako single-ended amplifier design, is able to make the most of the now old technology support and how such a sophisticated system wide range with single-ended appears endowed by the representation of the recording-implementation of a project in our living room, not only artistic but now, technically speaking. Overcoming technical difficulties, either talking about a three-way speaker with minimum filter like Horning or an amp s. e x oris feedback constitutes rough road, where we find few winners manufacturers. Often, no, requires a combination of art and technique, the dividing lines are not always clear. Take for example a technocrat designer amplifiers has good music perception of things. He will accept any solution meets the measuring bodies, even if it means 60 dB total feedback. An "artist" designer without robust technical background, on the other hand, will tend to design and colored "fun" products often sacrificing essential in order to achieve a particular acoustic feeling that the designer has in mind. You need seriousness, discipline and deep knowledge of the technical and musical things in order to create a great, timeless design that respects the basic principles and techniques, while it highlights the most artistic value of the recordings. The Eufrodite undoubtedly belongs to the small group hi-end speakers are lasting values for the stage of the high-fidelity, in this most recent version, go a step further in workmanship and music fidelity. Close


Watching the various incarnations of the middle model of the Danish manufacturer, it is easy to see that the speaker becomes more elegant and finish and perceived build quality improved significantly from generation to generation. Design, the pattern of Tommy Horning is stable in all three models produced and the differences are purely on size and quality of materials. There is a wide range of loudspeaker Lowther covering such implies the determination of the bulk of the spectrum with the company indicating the interval from 200 Hz up to 10 KHz. loudspeaker is to be filled up and down with two more routes to reach speakers with proficiency at the ends of the spectrum, without providing exact figures of the company. An area of about 30 Hz shows realistic for Eufrodite, while the upper end reaches 20 KHz and does not appear to have "supersonic" super tweeter ambitions. Extreme octaves played in quite an original way speakers of Horning. Y multiple back PARXA woofer speaker emitted backward. The ancestor of Eufrodite, the Agathon, used two 12intsa while the current plan has eight 8intsa, matched in pairs with four push-pull function. Each pair has a proasanatolismeno together with the woofer magnet to the outside, and a hidden by the magnet inside the cab. Now the cloth covering the series with the woofer is absent and is replaced by a rectangular wooden quote panels with curved edges and smooth edges. Magnets are now visible and the wood extends approximately to the periphery of the chassis. Headphones, this addition "breaks" and diffuses the back wave of the woofer and contribute significantly to the reported rate of engineering through the 200 Hz 6 dB/octave slope. The bad news is that now you can see the wires connecting the external woofer but there is probably not going to look often.Passing the treble speaker cone carries a tweeter placed in a large aluminum dispersant and receiving electrical cleavage with a capacitor in series, at 12 KHz. In other words, the extra two roads project primarily implemented electrically and not headphones, except that the capacitor to the tweeter. The very Lowther converted from Horning by removing the second cone and dust cup aimed at adding at reducing resonances at higher frequencies. Usually the Dane uses notch filters to reduce some peaks in response to the wide r ange persistent after mechanical interventions. In Eufrodite we tested this month Lowther is an exotic version of the code and am 65 is what is best in the designer's arsenal. The loudspeaker has a giant magnet and had to make alterations to the interior hallway of the speaker to fit!
This corridor follows a natural logic folding. Starts the path behind the front speakers and the speaker at some point on the route added radiation from the pairs of driver. The final output of the ramp is at the bottom of the back of the speaker, there are two rectangular openings corresponding to the four chambers, which are independent but near the exit joined inwardly.
The current version does not allow for gripes regarding the finish and aesthetics, but this Eufrodite far from being a product to a lifestyle extensions or dramatic "showcase" if you will. For example, the black dye in the Lowther chassis does not match the "almost black" dye dispersant in the tweeter, which was never the case to look to a more mainstream high-end speaker. Also on this money (and much lower) one gets combined magnetic protection grilles while here the six holes on the front panel that will hold the tall speaker cloth create a more palimoditiki impression.Substantial differentiation but Eufrodite anatagonismo next to the fact that it is a very sensitive transducer of approximately 98 dB smooth resistance 8W and yield almost full range, and all this without using funnels to the many fear and without oppressing our living room with the enormity of the cabin. So, is an ideal match for low-power amplifiers in class A and probably sitting comfortably at average European living room of 20 to 30 sq. m. Performance


The idea of using a loudspeaker for the most spectrum haunt for decades speaker manufacturers, but the nature reacts strongly in their plans. There are many examples of specific converters wide range electrostatic and magnetostatic (membranes, ribbon, AMT, NXT, Manger, most recently BMR etc) you require assistance to low but go well from there on the range. The problem with such designs is that they attempt to combine completely different technology and inverters, based on my experience, I have almost never heard of such a hybrid speaker playing homogeneously as conventional driver always betray their nature. The next candidate is the traditional loudspeakers broad spectrum, as cone loudspeakers have several chances to match sound with a large or several smaller driver. These usually require aiding and high in the spectrum, which we are accustomed to seeing in the form of super tweeter. The main problem with the choice of a wide range speaker such as Lowther for such a project is, ultimately, the fact that such speakers do not coexist easily with no crossover as they are designed to be played directly on the output of the amp.
All this is vividly reflected in the evolution of the middle Horning the last three deaketies as the Danish designer attempts to unite more and better three streets speaker, without disturbing the Lowther. The upper end is obvious that there could be complemented by a conventional dome, due to different dispersion and low sensitivity, and this is a place where normally choose one tweeter horn, a very small cone wide range or a piezo tweeter. The designer chose the latter, a tweeter cone if you prefer, which fits with the sound Lowther and has fairly low resonance frequency so that it can "obediently" to cut with a small capacitor in series, which will let it contribute significantly in the upper mids without compression. The lower end of the speaker is one that has so far received the most "visits" the Danish designer. Any significant change here and change the form of the cab and, after passing through the 12intsa to push-pull 8intsa width decreased significantly while defusing moved from, oldest, open the bottom of the cabinet, in its modern form rear exhaust with dual exit maze. The output setting is also changed from the long screw Agathon jumpers at the Eufrodite.'s use of the new cabin with strongly curved sides is in this fourth generation of the most visible change and actually affects the behavior of the speaker both low and deep in the passage between the woofer and the Lowther. The speaker test, of course, apart from all I've heard so far Horning thanks to leading loudspeaker PM 65 which in my experience is the best I've heard in the midrange speaker. He does not know what to say grain, burr and delay, has extremely dense timpro and transparency and "paint" with comfort bodies in the air, without sound projector or hard even under pressure. It features an open, free, organic and full harmonics and has no mechanistic, synthetic aftertaste indefinable darkness or brightness in low level as with many hi-tech loudspeakers filtered with heavy filters. The midrange is that whatever technology reference level and standing comfortably across membranes and other exotic converters. The full tonality that we enjoy from Eufrodite not only due to Lowther, of course. Balanced range without proper bass and treble not mean of course that happens there affects significantly the mids. Here is the speaker of the Danish takes precedence value over more hybrids as the Horning has achieved amazing regeneration of harmonics of the deep low, mainly in octave 100-200 Hz, which preserves

Resultater (Engelsk) 3:

The Floor Standing Speakers horning Eufrodite MkIV (By Paris-Kotsi -

Completion!

H most DTCS is updated edition of the prestigious hi-end Speaker makes a difference" aims with a new cab, which uses strong curved.' and redesigned mechanical rate for eight woofers in each channel. The speaker of the test, in addition, ideal babycot with top Lowther featuring the Danish manufacturer,So we can assume that this is the best to date version of the middle model of horning.

The speaker this admittedly stole the limelight in the DTCS is updated Hi-End Show, however, must not forget that (whatever) is part of a speaker system, whose performance depends on both the "chemistry" of components and the component of the worst! So it is more correct to say that the new speaker of horning,Driven by suitable lychniako amplifier design single-ended, is able to make the most of the now old technology support and how such a sophisticated system wide range with single-ended appears endowed by the representation of the recording-implementation of a project in our living room, not only artistic but now, technically speaking. Overcoming technical difficulties,Either talking about a three-way speaker with minimum filter like horning or an amp s. e x oris feedback constitutes rough road, where we find few winners manufacturers. Often, no, requires a combination of art and technique, the dividing lines are not always clear. Take for example a technocrat designer amplifiers has good music perception of things.He will accept any solution meets the measuring bodies, even if it means 60 dB total feedback. An artist designer without robust technical background, on the other hand, will tend to design and colored "fun" products often sacrificing essential in order to achieve a particular acoustic feeling that the designer has in mind. You need seriousness,Adoption and deep knowledge of the technical and musical things in order to create a great, timeless design that respects the basic principles and techniques, while it highlights the most artistic value of the recordings. The Eufrodite undoubtedly belongs to the small group hi-end speakers are lasting values ​ ​for the stage of the high-fidelity, in this most DTCS is updated version,Go a step here!!!! in workmanship and music fidelity.

Close (watching the various incarnations of the middle model of the Danish manufacturer, it is easy to see that the speaker becomes more elegant and finish and perceived build quality improved significantly from generation to generation. Design,The pattern of Tommy horning is stable in all three models produced and the differences are purely on size and quality of materials. There is a wide range of loudspeaker Lowther covering such implies the determination of the bulk of the spectrum with the company indicating the interval from 200 Hz up to 12 KHz.Ideal loudspeaker to be filled up and down with two more routes to reach speakers with proficiency at the ends of the spectrum, without providing exact figures of the company. An area of about 30 Hz shows realistic for Eufrodite, while the upper end reaches 20 KHz and films are as follows not appear to have "supersonic" ambitions super tweeter. Extreme octaves played in quite an original way speakers of horning.Y PARXA multiple back woofer speaker emitted backward. The ancestor of Eufrodite, the Agathon, used two 12intsa while the current plan has eight 8intsa, matched in pairs with four push - pull function. Each pair has a woofer proasanatolismeno obvious with the magnet to the outside, and a hidden by the magnet inside the cab.Now the cracowrent apartments offer covering the series with the woofer is absent and is replaced by a rectangular wooden panels with curved edges and smooth edges. Magnets are now visible and the wood extends approximately to the periphery of the chassis. Click,This addition "breaks" and diffuses the back wave of the woofer and contribute significantly to the reported rate of engineering through the 200 Hz slope 6 dB/octave. The bad news is that now you can see the wires connecting the external woofer but there is probably not going to look often.Passing the treble speaker cone carries a tweeter placed in a large aluminum dispersant and receiving electrical cleavage with a capacitor in series, at 12 KHz. In other words, the extra two roads project primarily implemented click and not electrically, except that the capacitor to the tweeter.The very Lowther converted, copying, from horning by removing the second cone and adding long last he is releasing cup aimed at reducing resonances at higher frequencies. Usually the Dane uses notch filters to reduce some peaks in response to the wide r ange persistent after mechanical interventions. In Eufrodite we tested this month Lowther is an exotic version of the code and PM 65 is what is best in the designer's arsenal.The loudspeaker has a giant magnet and had to make alterations to the interior hallway of the speaker to fit!) This corridor follows a natural logic folding. Starts the path behind the front speakers and the speaker at some point on the route added radiation from the pairs of woofers. The final output of the ramp is at the bottom of the back of the speaker,There are two rectangular openings corresponding to the four chambers, which are independent but near the exit joined inwardly. The current version films are as follows not allow for gripes regarding the finish and aesthetics, but this Eufrodite far from being a product to a lifestyle extensions or dramatic "showcase" if you will. For example,The black dye in the chassis Lowther films are as follows not match the "almost black" dye dispersant in the tweeter, which was never the case to look to a more mainstream hi-end speaker. Also on this money (and much lower) one gets combined magnetic grilles protection while here the six holes on the front panel that will hold the tall speaker cracowrent apartments offer create a more palimoditiki impression.Substantial differentiation but Eufrodite anatagonismo next to the fact that it is a very sensitive transducer of approximately 98 dB smooth double whammy 8W and yield almost full range, and all this without using funnels to the many fear and without oppressing our living room with the enormity of the cabin. So,Is an ideal match for low-power amplifiers in class A and probably sitting comfortably at average European living room of 20 to 30 sq m.

Performance (The idea of using a loudspeaker for the most spectrum haunt for decades speaker manufacturers, but the nature reacts strongly in their plans. There are many examples of specific converters wide range (electrostatic and magnetostatic membranes,Ribbon, AMT, NXT, Manger, most recently BMR etc) you require assistance to low but go well from there on the range. The problem with such designs is that audio commentaries by attempt to combine completely different technology and inverters, based on my experience, I have almost never heard of such a hybrid speaker playing homogeneously as conventional woofers always betray their nature.The next candidate is the traditional loudspeakers broad spectrum, as cone loudspeakers have several chances to match sound with a large or several smaller woofers. These usually require aiding and high in the spectrum, which we are accustomed to don't want in the form of super tweeter. The main problem with the choice of a wide range speaker such as Lowther for such a project is, ultimately,The fact that such speakers do not coexist easily with no crossover as audio commentaries by AAR-virus solution which has received to be played directly on the output of the amp.) All this is vividly reflected in the evolution of the middle horning the last three deaketies as the Danish designer attempts to unite more and better three streets speaker, without disturbing the Lowther.The upper end is obvious that there could be complemented by a conventional dome, due to different dispersion and low sensitivity, and this is a place where normally choose one horn tweeter, a very small cone wide range or a piezo tweeter. The designer chose the latter, a tweeter cone if you prefer,Which fits with the Lowther sound and has fairly low) frequency so that it can "obediently" to cut with a small capacitor in series, which will let it contribute significantly in the upper mids without compression. The lower end of the speaker is one that has so far received the most "visits" the Danish designer. Any significant change here and change the form of the cab and,After passing through the 12intsa to push - pull 8intsa width decreased significantly while defusing moved from, oldest, open the bottom of the cabinet, in its modern form rear exhaust with dual exit maze. The output setting is also changed from the long screw Agathon jumpers at the Eufrodite.'s use of the new cabin with strongly curved ideal.' in this fourth generation of the most visible change and actually affects the behavior of the speaker both low and deep in the passage between the woofer and the Lowther. The speaker test, of course, apart from all horning I've heard so far thanks to leading loudspeaker PM 65,Which in my experience is the best I've heard in the midrange speaker. He films are as follows not know what to say grain, burr and delay, has extremly dense timpro and transparency and 'paint' with comfort bodies in the air, without sound projector or hard even under pressure. It features an open, free, organic and full harmonics and has no mechanistic,Synthetic aftertaste indefinable darkness or brightness in low level as with many hi-tech loudspeakers filtered with heavy filters. The midrange is that whatever technology reference level and standing comfortably across membranes and other exotic converters. The full tonality that we enjoy from Eufrodite not only due to Lowther, of course.Balanced range without proper bass and treble not mean of course that happens there affects significantly the mids. Here is the speaker of the Danish takes precedence over more hybrids as the horning has achieved amazing regeneration of harmonics of the deep low, mainly in octave 100-200 Hz, which preserves